Research
Question 1
Today,
just as in the past, people believe that different things will happen when they
die. Christians believe in God, and that they will go to heaven or be
resurrected by God and live forever on earth. But, the Egyptians believed in
reincarnation. When the Egyptians would die they would become immortal and live
with the Gods or deities that they worshipped. The Egyptians would depict this
practice through drawings, etchings in walls, and writings. According to Art
through the Ages, “The Book of the Dead…depicts
the weighing of Hu-Nefer’s heart against Maat’s feather before the deceased can
be brought before Osiris, god of the Underworld;” figure 3-36 is the Last Judgment of Hu-Nefer (p. 76).
However, the Egyptians
also believed it was important to embalm (preserve) their bodies, so that the
Egyptians could return to their bodies if they wanted too. That is why the Egyptians
put forth so much time and effort building burial sites for their departure.
Figure 3-5 and 3-6 (p.58) of Art through the Ages show Djoser’s pyramid and
“mortuary” which is “a 37 acre rectangle”. As time went on the burial sites
increased in size and complexity; for example,
figure 3-22 and 3-23 (p.69) are
portraits of Ramses II ‘rock-cut’ temple which has images ranging in size from
“65 to 32 feet.” Egyptian architecture, sculptures, and paintings support the
Egyptians belief in the after-life.
Research
Question 2
Egyptian
rulers varied in their abilities and vision of what it was that they wanted to
create and build for themselves. I find it hard to make a blanket statement, “that
the spirit of the Old Kingdom is best expressed in the pyramids, that of the
Middle Kingdom in its sculpture, and that of the New Kingdom in its painting”
(Mr. Trinchera Instructions). The Great
Pyramids at Gizeh, figures 3-8 and 3-9, were created during the Old Kingdom
(p.59-60); however, during that time period many sculptures were created that
contained the spirit of Egypt. For example, figures 3-12 Khafre enthroned and 3-13 Menkaure
and Khamerernebty?(p. 62).
If
the Egyptians were ruled well they remembered their king or pharaoh after they
died; departed to go live with their Gods. But, if the king or pharaoh was
cruel or something happened to displease the next ruler, then they would
remove, destroy, eradicate anything that they felt would remind others to
follow of them. Therefore, what we have today to remind us of the Egyptians is
remarkable and captures the spirit of the Egyptian culture -no matter what the
time period. Architects today continue to study the buildings and designs of
the Egyptians.
Research
Question 3
The
Greeks were influenced by gods and goddesses, and as such they built temples
and alters to worship these deities. The Lady
of Auxerre was sculpted during the Archaic period (p. 105). The sculptor
clothed the woman and gave the shape of the female body, but it lacks realism. The
Temple of Athena Nike, figure 5-56,
portrays the female Nike as being beautiful no matter what she is doing (figure
caption reads Nike Adjusting her sandal on p. 133).
As time went, during
the late classical period, the female body was expressed and not repressed
behind clothing. The naked sculpture of Aphrodite of Knidos is appropriate,
since she represents the Goddess of love (p.137). The attention to the body
appears to be more natural than the Archaic period. The setting is important
because it depicts the Goddess as doing something that humans do. The sculptor
was open in displaying the breast, but took care not to go too far.
Old
market woman, figure 5-86, portrays an old woman (p.
152). This is very different from the other time periods, because upon first
glance it is not as appealing as the younger, beautiful women of earlier
times.
Research
Question 4
The Egyptians learned
when building the great pyramids that the numbers mattered. The degree of the
tilt and the size/shape of the material being used were important. If they were
not careful and precise with the math, then the project would not be completed
and time would be lost. The Greeks learned a similar lesson as well. “The
Parthenon architects and Polykleitos were kindred spirits in their belief that
beautiful proportions resulted from strict adherence to harmonious numerical
ratios…” explains Fred Kleiner (p.127).
The Greek architects
created a formula to use when designing their temples. The Temple of Athena Parthenos, figure 5-44, is the result of the
architects sticking to the formula that they came up with (p.126-127). The
architects wanted to create a structure that would be beautiful and that would
last. Since the structure still stands today, the architects are remembered for
their design and achievement.
Research
Question 5
The
Greeks honored the Gods and Goddesses by worshipping them. Part of worshipping
them was building the Gods and Goddesses temples and alters. Inside the temples
and alters were sculptures. I believe that the sculptures of the Mount Olympus
Gods reflected their beliefs and customs the most. Figure 5-31 is a portrait of
several sculptures of the Greek Gods and goddesses: East Pediment from the Temple of Zeus (p.119).
The
Olympian deities were sculpted in different stances or positions to give the
appearance of motion. The sculptures portrayed the deities as humans, so the
Greeks were able to better relate to them. Since, the Greeks could relate to
the Gods and Goddesses they were able to build their culture around the
deities. Most of the Greek art has some aspect to the Gods and Goddesses during
the classical period.
References
Kleiner, Fred. (2011). Art through the ages: a global history (13th ed). Boston,
MA: Wadsworth.
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